Issue 10 - HDRI 3D - Print Version
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FEATURING... COVER STORY: X-MEN: THE LAST STAND GOING TO WAR WITH X3 The third and final installment of 20th Century Fox's X-Men trilogy is here at last. Take a look at the colossus task that was undertaken by Fox and 13 studios in just 12 short months. by William "Proton" Vaughan DEALING WITH PRESSURE VISUAL EFFECTS FOR EPISODIC TELEVISION Taking virtual water effects to a whole new level! How Rainmaker Animation & Visual Effects tackled the challenges with new techniques for creating digital water environments both above and below the surface for the Stargate: Atlantis episode "Grace Under Pressure." By Bruce G. Woloshyn RICHARD "DOC" BAILY A PERSONAL APPRECIATION The CGI world lost an icon with the passing of Doc Baily. Thomas Briggs writes a celebration of the artist. by Thomas Briggs USING MAYA'S GRAPH EDITOR TO ALTER ANIMATION CLIPS MAYA HUMAN ANIMATION FUNDAMENTALS, PART 4 This is the final tutorial in the series on Maya Human Animation Fundamentals. by Peter Ratner PRODUCTION DIARY 101 USING MULTIPLE APPLICATIONS TO GET THE JOB DONE Learn how to integrate some features of After Effects and Final Cut Pro together to make your projects look their best. by Aaron Kent ARE YOU IN THE NODE? Get to know the LightWave [9] Material Shader Node Editor. by William "Proton" Vaughan ROBUST MUSCLE SYSTEM DEFORMATIONS IN SOFTIMAGE|XSI A survey of available muscle deformation techniques available in Softimage|XSI, with an explanation of a hybrid technique. by Brad Friedman REFLECTIONS PART THREE IN A SERIES ON MATTE PAINTING HOW TO CREATE REFLECTIONS A step-by-step tutorial on how to build reflections in a photo-realistic 2D matte painting. by Briar Lee Mitchell ESTABLISHING THE PROPER "FEEL" WITH YOUR RUN CYCLE The run cycle is one of the most difficult animations a gaming industry animator will ever need to tackle, yet in most cases, it's also the most important. Take a look at this new way to create a run cycle by using layers. Richard also tackles important industry rules, such as when to export to the game engine, how to handle transitions, and how you can make more than one animation out of a base cycle. by Richard Lico MAKING A PHOTOREAL SCORPION PROCEDURALLY IN XSI This article shows how a scorpion was made in 3 days using cheats and tricks to get the best result possible. by Steve Parish WHAT'S A PAN N TILE - AND WHAT CAN IT DO FOR YOU? An Introduction and guide to creating a Pan N Tile system using Digital Domain's Nuke Version 4.5. by Brian Begun RENDERMAN ARTIST TOOLS: PRODUCTION FEATURES We're looking at using arbitrary outputs, which speeds up production endlessly by letting you relight your scene in a 2D package. Also, Slim expressions, which simplify handling shaders for large datasets. by Peter Hartwig ESSENTIALS MIXING UP A BATCH OF MOTIONS Learn how to create independent motion modules that can be mixed and matched to create different motion sequences. by Andrea Carvey GoBOXX 2300 MOBILE WORKSTATION A review of the GoBOXX 2300 mobile workstation, a true workstation for mobile artists. by William "Proton" Vaughan READERS' GALLERY Featuring the fabulous art submitted by Bobby Ware, Steve O'Donnell, Cesar Alejandro Montero Orozco, Neil MacCormack, and Jason Bohanon. KOOSHLINGS by Dariush Derakhshani QUIET BEFORE THE STORM by Raffael Dickreuter FINAL RENDER by Andrea Carvey GIDGETS AND GADGETS by William "Proton" Vaughan

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