Issue 19 - HDRI 3D - Print Version
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FEATURING... MASS EFFECT: INSIDE THE VISUAL EFFECTS Visual Effects Supervisor Shareef Shanawany takes a look at the visual effects of Mass Effect, the critically acclaimed next-gen game from Microsoft and BioWare.. By Shareef Shanawany HOW’D WE DO THAT? PLAYING WITH FIRE: BEOWULF Beowulf’s FX Animation Lead shares with us exactly how the Sony Pictures Imageworks team overcame the difficulties of creating natural phenomenon effects from fire to destruction and all in between. Our fascinating series gets you behind the scenes access as never before. By Vincent Serritella THESE AREN’T YOUR DADDY’S LITTLE GREEN MEN Director Aristomenis “Meni” Tsirbas and producer Dane Allan Smith discuss their thoughtful alien invasion feature Terra and share with us the difficulties of making an animated CG feature on a budget. By Jim Hankins HOW I SHATTERED THE WORLD IN BLACKSPOT See how to use Blast Code to destroy the world in a small feature film. By Christopher Mills BREAKING INTO THE GAMING INDUSTRY Explore the different jobs available in the gaming industry, and find out how to score a few of them. By Richard Lico AROUND THE WORLD WITH THE SPACENAVIGATOR This 3D navigation device works in 3D beautifully in Google Earth and is probably a vital tool for demos, visualizations, and architectural fly-throughs. Find out why! By Nicholas Joseph IRONING OUT SURFACE SMOOTHING Take a close look at surface smoothing in LightWave and these great tips and tricks that can help you gain control over this powerful surfacing feature. By William “Proton” Vaughan FINAL GATHER AND AMBIENT OCCLUSION Study HDR lighting with Final Gather including how to remove speckle artifacts from FG and glossy reflections using mental ray’s custom shaders. By Boaz Livny PIPELINE & COLOR PLANNING The vital lifeblood of any project is only as good as the planning behind it. Find out how to design and manage a strategic color pipeline with valid and hands-on tactical groundwork. By Edward Heede USING SPACEPILOT IN 3D PROGRAMS Thinking about a 3D mouse to rotate 3D objects and navigate your 3D environments? These helpful tips are for you! By Michael Ash PIPELINE DEVELOPMENT, PART 3: ASSET TRACKING This article in a series shows you how to create tools for interaction with an asset tracking database. By Peter Hartwig READERS’ ART GALLERY Featuring the fabulous art submitted by Jae Ham, Steve O’Donnell, and Bobby Ware. ADVANCED COLOR CORRECTION TOOLS Learn how to use the first color management system that has ever been developed within a 3D commercial software. By Gerardo Estrada MODO-IMATION: EXPORTING .MDD FILES Discover how to use Maya2LW MEL scripts to export character animations in the form of .mdd files for a quality render in modo 301. By Wes McDermott SANDIO 3D GAME O2 MOUSE Discover the role this mouse can play in everything from gaming to 3D programs. By Richard Lico INTERVIEW: C. MICHAEL NEELY, PREVIS AND FX ANIMATOR Our series featuring computer graphic artists continues with insights on education, training, and job responsibilities in the real production world. By Raffael Dickreuter MODELING A HUMAN PART 6: THE FEMALE LEG Continuing the series of articles on modeling the male and female in Maya, this step-by-step tutorial shows how to make the female leg. By Peter Ratner STUFF By Brad Carvey KOOSHLINGS By Dariush Derakhshani GIDGETS AND GADGETS By William “Proton” Vaughan FINAL RENDER By Andrea Carvey XSI CORNER By Raffael Dickreuter

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